BIRDSEYE GLASS PANELS, 1997 & 2016

Before I began to experiment with painting on glass, most of the paintings were made with sequences of transparent colour overlaid on white gessoed grounds where the space between colour marks contributed equally to image formation. 

Adjacent colours on these glass discs were intensified with multiple transparent colours in overlap and no clear gaps.

Birdseye
Birdseye

1997, part of installation, kiln-fired pigments on float glass, discs of various size. Mounted with perspex frames in 2016

Birdseye #9
Birdseye #9

1997, kiln-fired pigments on 4 mm float glass, 27 cm dia.

Birdseye #10,
Birdseye #10,

1997, kiln-fired pigments on 4 mm float glass, 27 cm dia.

Birdseye
Birdseye

1997, part of installation, kiln-fired pigments on float glass, discs of various size. Mounted with perspex frames in 2016

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