KNOTS, 1994

Wherever two or more colours cross over each other, I look for each colour mark to enhance rather than mute adjacent hues, so that all the colours and their shapes contribute to a visually active field. 

A small detail may call to mind an image or idea that echoes way beyond the initial sighting, or a group of colours can appear spatially coherent in three or more dimensions. 

Knots #2
Knots #2

1994, acrylic on canvas, 76 x 76 cm

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Knots #2
Knots #2

1994, acrylic on canvas, 76 x 76 cm

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